Monday, September 14, 2015

For the love of Urdu


American researcher Celia Bell delves into the works of Hyderabad’s Urdu poets Mah Laqa Bai Chanda and Luft-un-Nisa Imtiyaz

At a time when Urdu language is losing patronage among native speakers, it seems to strike a chord elsewhere. Its poetic form in particular has many followers both within and outside the country. Interestingly, in the land of Uncle Sam too Urdu is making waves, and not just out of curiosity.

Celia Bell, a student of Columbia University, is a case in point. Charmed by the musical quality of the language, she has come all the way from New York to Hyderabad to do research on two women Urdu poets of the 18th century, poets that Hyderabadis themselves have almost forgotten. She has chosen little known poets like Mah Laqa Bai Chanda and Luft-un-Nisa Imtiyaz for her research. Their works have not generated much critical appreciation and this is precisely the reason why Bell would like to explore them.

Maha Laqa Bai was the first women poet with a diwan (published works) of her own. A woman of great beauty, she was a courtesan during the reign of Nizam II and III. Luft-un-Nisa was also a sahibaan-e-diwan poetess with a rich collection of ghazals and masnavis. She wrote under the penname ‘Imtiyaz’.

During the last one month she is here, Bell’s mission has stirred quite a bit of interest and is drawing quiet admiration among Urdu circles. “It is interesting to take up studies on writers on whom not many have researched. I hope I will be able to throw fresh light on these poetesses,” she remarks.

Bell plans to explore the ‘gendered voices’ in the poetry of Mah Laqa Bai and Luft-un-Nisa. She will also delve into the technical elements of their works and their impact on Deccani literature. This project will be of immense help to Bell who wants to do Ph.D on contemporary literature and South Asian Studies. She is in India as part of the Fulbright-Nehru Student Research Programme.

Choice of Urdu

But why in the world she has chosen Urdu literature for research? “I am much drawn to Urdu. It is a sweet language. The best part is its poetry which casts a spell,” says the 24-year-old who is quite familiar with the language by virtue of having studied Hindi at the undergraduate level.

Main padh sakti hoon, bol sakti hoon aur likh sakti hoon ( I can read, speak and write),” she says in Americanised accent. But she feels shy of speaking in Urdu for fear of committing mistakes. “That’s why I am conversing with you in English,” she laughs.

Bell is all appreciation for Dr Habeeb Nisar, her research guide at the University of Hyderabad. The University is her host institution during her nine-month long project work. A self driven resercher, Bell has been poring over books in libraries and has found little time to explore the nawabi city. She is looking forward to the trek to Maula Ali to look up the mausoleum of Mah Laqa Bai.

Who are her favourite Urdu poets? Mirza Ghalib, Iqbal and Faiz – she reels out the names. But she is more fond of Ghalib whom she considers the Shakespeare of Urdu. She backs her claim by reciting this famous couplet of Ghalib:

Baske hoon Ghalib aseeri main bhi aatishe zere pa

Mue aatish deedah, hai halqa meri zanjeer ka

(Whereas, even in bondage, there is fire under my feet Ghalib

The chain that binds me is merely curls of singed hair)

She further recites verses from the works of Faiz Ahmed Faiz -

Ye daagh daagh ujaala, ye shab-gazidar sahr

Ye wo sahr to nahin jiski aarzu lekar

Chale the yaar ke mil jaiegi kahin na khain

(The stain-tainted light, this night-bitten dawn

That we were waiting for, this is not that morning

This is not the morning, in whose yearning

We had set out full of hope that we will surly find)

Bell took to writing early in her life. A good number of her short stories in English have appeared in New York Times Magazine and literary journals like Five Points and Bomb Magazine . Will she write in Urdu too? She only flashes a big smile by way of answer.

J.S.Ifthekhar,
Hyderabad based journalist.

Article published in The Hindu
Dated September 14,2015.

Tuesday, September 8, 2015

Art parallels Nature

Vani Devi’s paintings reflect her engagement with the visual language of art

They encourage, motivate, inspire and uplift. The object of art is not to reproduce reality but to create a reality of the same intensity. Surabhi Vani Devi does just that. She brings nature closer home through her works. Her paintings stand out for sheer range, symmetry, colour combination and variety.

The special exhibition of Vani Devi's paintings at the Salar Jung Museum is a treat to the eyes. There are close to 70 paintings on display and each one of them leaves viewers awe-struck. Most of the paintings are titled 'Sare Jahan Se Accha' and seek to capture the landscape in different shades. The medium employed is acrylic on canvass.Her preferred medium is water colour and genre landscapes. One can find quite a few frames depicting landscapes in captivating shades.

One of her paintings displayed at the State Art Gallery on the occasion of the bio-diversity conference was acquired by a foreign delegate, it is said.

The lithograph paintings depicting flora and fauna and mother earth are also something to look at. "For me it has always been an interesting engagement with visual language of art", says Vani Devi. She feels the search for higher human values, which is the essence of humanism, is intrinsic to artistic expression.

Daughter of the former Prime Minister, P.V. Narasimha Rao, she learnt art from such eminent teachers as Narender Rai Srivastav, Kondapalli Seshagiri Rao, Panduranga Parathe and Atma Ram. She has organised more than 15 solo exhibitions both within and outside the country under the title 'Sare Jahan Se Accha’.

The exhibition organised by the Gandhi Memorial Centre at Washington is the high point of her career. The Sri Venkateshwara College of Fine Arts founded by her in 1991 remains at the forefront for popularising art. Who is her greatest inspiration?. "My father of course", pat comes the reply. After marriage luckily she found a friend, philosopher and guide in her husband, Surabhi Dayakar Rao. "He stood by me in all my creative endeavours", says Vani Devi. Great art picks up where nature ends. The artist in her tries to do just that.


The exhibition is open to public till September 12 at the Western Block of Salar Jung Museum.

J.S.Ifthekhar,
Hyderabad based journalist.

Article published in The Hindu
Dated September 8,2015

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